Luís Caracinha will talk about his Crowdfunding experience at ETIC_Algarve

Guest speaker has personal experience in crowdfunding

Luís Caracinha, founder of Epopeia Records and trainer at ETIC_Algarve for the area of ​​Design, is the next guest of another edition of “Conversas com Lábia”, scheduled for January 9th, at ETIC_Algarve (School of Technologies, Innovation and Creation of the Algarve ), in Faro.

Epopeia Records is a structure based on the guest's personal projects, who “live from the performing arts, breathing music, literature and cinema”.

These days, being creative and wanting to embrace a project is not enough, “because, despite having a very clear vision, conviction, all the research completed and contacts with entities and stake holders, there's always a point you bump into: the budget!”

According to Luís Caracinha, in this conversation, “we are going to talk about Crowdfunding, the process that is nothing more than appealing to those who see themselves in what we are projecting and who are willing to participate, to contribute with small or large amounts in order to turn projects into realities !”

The Algarve band «Riding a Meteor», to which Caracinha belongs, is promoting a crowdfunding campaign, to raise 4500 euros, with the objective of going to Greece to record a concert in Meteora, one of the largest and most important monastery complexes in Eastern Christianity.

This 3rd edition of Conversas com Lábia will take place from 18:30 pm, at the ETIC_Algarve Studio, located on the 1st floor of the Municipal Market of Faro.

Once again, explains the school, “it is intended to open the doors not only to the community of students and former students of ETIC_Algarve, but also to the general public, in order to make known the main points to carry out a campaign of Crowdfunding
An event that provides a unique opportunity to talk with this Creative professional about this possibility of the digital world”.

Admission is free, but places will be limited.

To secure a place, just click here to register.

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