The Centro Cultural de Lagos presents the dance show “Into the tranquility”, on October 6th, from 21 pm. Tickets are now on sale.
“On the platform of what is the rational and emotional meaning of a decision in a specific time and space, the conductors of this process are related. The perception, the senses, the disorder, the origin of an expression. In an attempt to materialize, bodies persist at two distant poles where semi-expressiveness is the result of the disorder that is installed on them”.
This show is a creation of Madalena Brak-Lamy and lasts about 40 minutes. Three young people will perform on stage: Joana Duarte, Joana Mário and Madalena Brak-Lamy.
This cultural initiative is supported by the Escola Superior de Dança and Companhia Clara Andermatt Cultural Association. Tickets are already on sale at the Centro Cultural de Lagos and have a price of €7 (+ the usual discounts on this equipment).
Creation/Interpretation
Magdalene Brak-Lamy was born on November 11, 1988 in Lisbon. Her training in the artistic field begins with a study in Classical Dance and Contemporary Dance at the Morris Ballet School, under the guidance of Gwen Franco.
He did workshops with Francesca Filpi, Kenn Burke, Natália Viñas Roing, John Mowat, Sofia Dias, Vitor Roriz, Willi Dorner, among others. In 2011, he finished his degree in Dance at Escola Superior de Dança, acquiring a merit scholarship and where he worked with Margarida Bettencourt, Amélia Bentes, Teresa Ranieri, among others.
She presented her first creation, Passion Fruits, in 2011 at the CCB's Rehearsal Room and at the Fernando Lopes-Graça Auditorium (Almada) as part of the 19th Dance Fortnight at Almada.
From October to December 2011 he participated as assistant to choreographer Clara Andermatt in the production of the show MAIOR with Companhia Maior. In January 2012 he presented his creation Into the Tranquility as part of the BoxNova 2012 project at Centro Cultural de Belém in Lisbon.
Since April 2012 she is once again inserted as an assistant in the direction of the
choreographer Clara Andermatt in her new project – Ópera Páris e Helena by Christoph Willibald Gluck – Presented at the Cine-Teatro de Alcobaça and at the São Luiz Teatro Municipal.
Consecutive
Joana Mario he was born in the city of Aveiro, in 1990. It was also in Aveiro that he began his studies in dance, at the Academia de Bailado Classical in Aveiro, under the supervision of Anabela Domingues and Ana Lia Pereira, completing the Imperial Society School of Dance.
Months before joining the Escola Superior de Dança of the Polytechnic Institute of Lisbon
(2008), did a small internship at Companhia de Dança de Aveiro. In 2011 ends the
degree at ESD where, under the exchange program – ERASMUS, he attended a semester at the dance school – Codarts, University of Arts, in Rotterdam, Netherlands. She held workshops/masterclasses with Rui Lopes Graça, Inaki Azpillaza, Ana Figueira, Pedro Carvalho, Gonçalo Ferreira, Jiri Kylian, Sylvie Rijmer, Romulos Neagu, among others.
She worked on the choreographic project “A Stop” with choreography by William Lu, and presentation at the Open Dans festival, at RoTheater, Rotterdam, and also on “Passion Fruits” with choreography by Madalena Brak-Lamy and presentation at the 19th Quinzena da Dança de Almada, at the CCB (Lisbon) and at the Fernando Lopes-Graça Auditorium (Almada).
Joana Sequeira Duarte was born in 1983. His training in the artistic field includes
experience in contemporary dance at Balleteatro (Porto), at Escola Superior de Dança (Lisbon, where he is finishing his degree) and in workshops with Bruno Listopad, Lisa Nelson, Madalena Victorino, Meg Stuart, Peter Michael Dietz and Trisha Brown Dance Company among others.
This year the PEPCC course – Research and Choreographic Creation Course – Forum Dança (Lisbon) ended, having worked so far with teachers/artists such as Francisco Camacho, Loic Touzé, Jeremy Nelson, Margarida Bettencourt, Mark Tompkins and Nuno Rebelo, Miguel Pereira, Patrícia Portela, Sofia Dias and Vítor Roriz, Todd MacQuade and Vera Mantero.
He performed the choreographic piece Passion Fruits (2011) by Madalena Brak-Lamy and participated in Oil Ain't All, JR. (2010) by Teatro Praga and Manual of Instructions (2009) by Victor Hugo Pontes. She has also been involved in music from an early age (Escola Osnabruck, Valpaços) and recently joined the indie-pop band The Happy Mess.
He also has a degree in Architecture from the Autonomous Department of Architecture at the University of Minho (Guimarães).
Comments